Music Release’s
YOUNG JIMMY - Yellow Yellow (10th Anniversary)
YOUNG JIMMY'S first solo studio EP 'Yellow Yellow' was recorded in Williamsburg, Brooklyn, on May 23rd, 2015, by Engineer Jay Braun at Melody Lanes Studio and mastered by Mike Tucci. Released under HOOD ROCK RECORDS on November 24th, 2025. Includes two bonus tracks, 'Fathea of Mine', a cover song by Alternative Rock band Everclear. And 'The Movies (2010) [feat. Melle Mel]' this is the original version of the song featuring Hip-Hop Pioneer & Rock N Roll Hall of Famer, Melle Mel.
Credits: Bass Guitar – Max Calkin. Drums – Dylan Teggart. Keyboards – Tom Wilson. 'The Movies' & 'The Movies (2010) feat. & Co-lyricist Melle Mel – Harmonica - Obama Isaiah Richardson. 'Fathea of Mine' was composed by Art Alexakis, Greg Eklund, and Craig Montoya. Cover Photos by Julius July. Christopher J. Beckwith - Singer, writer/ composer, guitarist, vocalist, album cover art executive producer.
Sankofa - To My Chagrin (2007)
The band was an integral part of the early AFRO-PUNK scene in New York City 2010's, recording just one album, a studio EP called 'To My Chagrin' (recorded in 2007, released in 2014, re-released under HOOD ROCK RECORDS on September 12, 2025), recorded at Monsterland Studios in Brooklyn, NY, with mixing & mastering engineer Paul Mahajan. Paul has captured the sounds and energies of the Yeah Yeah Yeahs (Fever To Tell), The Lairs (Arena Rock), TV on the Radio (Desperate Youth, Blood Thirsty Babes, and Young Liars), and The National's (Beggars Banquet).
Discovering Sankofa’s To My Chagrin feels like unearthing a missing chapter in indie-rock history. Released in 2007, the EP exists slightly outside the frame of its era—raw but thoughtful, urgent yet introspective—sounding less like a band chasing trends and more like one carving out its own emotional and sonic space.
From the first track, Sankofa balances grit with melody. The guitars bite, but they also breathe; rhythms push forward with nervous energy while leaving room for reflection. There’s a restless intelligence running through the EP, a sense that every song is wrestling with identity, frustration, and self-awareness rather than settling for easy catharsis. To My Chagrin doesn’t posture or overexplain—it trusts the listener to feel their way through it.
What makes the EP especially striking, in hindsight, is Sankofa’s presence within the indie-rock landscape of the time. In an era when the genre was overwhelmingly white and narrowly defined, Sankofa stood as a rarity—quite possibly the only all-Black indie-rock band of that moment pushing guitars, vulnerability, and alternative sensibilities without compromise. That context doesn’t overshadow the music, but it deepens its impact. The band wasn’t performing identity; they were simply existing loudly and honestly in a space that rarely made room for them.
Nearly two decades later, To My Chagrin still feels alive. Its emotional tension hasn’t dulled, and its independence of spirit feels even more resonant now. For new listeners, this EP isn’t just a great introduction—it’s an invitation to reconsider what indie rock was, and what it always could have been.
LIZA - Gone September (feat. YOUNG JIMMY)
LIZA's New Single 'Gone September' August 29th, 2025. If you’re meeting LIZA for the first time, “Gone September” is a quietly devastating introduction. From its opening moments, the song feels like the instant after summer ends—when the air cools, the light shifts, and something you didn’t realize you were holding onto slips away. LIZA doesn’t rush that feeling. She lets it linger, wrapping understated production around a vocal that sounds intimate and unguarded, like a confession whispered rather than performed.
What makes “Gone September” hit is its emotional precision. LIZA isn’t just singing about loss or distance; she’s capturing the specific ache of time passing without asking permission. There’s nostalgia here, but it’s unsentimental—no dramatic crescendos, no overwrought lyrics. Instead, the melody drifts and settles, mirroring the way memories resurface when you least expect them. Her voice carries a soft strength, fragile but assured, pulling you closer with every line.
By the time the song ends, it leaves a hollow warmth behind—the kind that makes you replay it immediately, just to sit in that feeling a little longer. “Gone September” doesn’t beg for attention; it earns it. For a new listener, it’s the kind of track that makes you pause and think, Who is this—and what else have I been missing?
Credits: Composer - Elizabeth L. Kogiones. Composer - Christopher J. Beckwith. Composer - Eduardo Esquivel. Lyricist - Elizabeth L. Kogiones. Guitarist - Christopher J. Beckwith. Violinist - Sathvi Ramaseshan. Cellist - Nathaniel Grohmann. Mixing Engineer - Chris Sclafani. Mastering Engineer - Chris Gehringer. Cover Art - Christopher J. Beckwith. Cover Photo - HOOD ROCK RECORDS©.
YOUNG JIMMY - HEAVY. (feat. Kam Franklin)
YOUNG JIMMY Latest Single August 30th, 2024. Credits:
Featured vocals - Kam Franklin. Violinist - Sean-David Cunningham. Percussionist - James Knorl. Bassist - Marcelo McCagnan. Organist - David Page. Composers John Lennon & Paul McCartney. Guitarist, vocalist & lyricist Christopher J. Beckwith. Recorded at The Cutting Room, Mixed by Bobby Tiemann & Sloan Welsch. Mastered by Chris Gehringer at Sterling Sounds.
YOUNG JIMMY - ROCKETT 88 (Deluxe)
YOUNG JIMMY Debut (Deluxe) Studio Album May 12, 2023.
Credits: bass guitar Augustos Mintz (tracks: 4, 6, 9, 13, 14), Dylan H Kaminkow* (tracks: 7, 8, 11, 12, 19), Patrick Drummond (tracks: 1, 2, 5, 16, 17, 18). Featuring – Kendra Foster (tracks: 17). Film Director – James Spooner (tracks: 10). Lead Vocals, Electric Guitar, Lead Guitar – Young Jimmy (tracks: 14). Lead Vocals, Lead Guitar, Acoustic Guitar, Keyboards, Composed By, Producer, Electric Guitar – Young Jimmy (tracks: 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13, 15, 16, 17, 18, 1912, 13). Mastered By – Chris Gehringer (tracks: All Tracks). Mixed By, Recorded By – RJ Pasin (tracks: All Tracks). Percussion – Alexander Azarmehr (tracks: 7, 8, 11, 12,19,), Noel Jasso (tracks: 1, 2, 5, 16, 17, 18), Roberto Verde (tracks: 4, 6, 9, 13, 14). Photography By Anna Sugarman, Keshia Benjamin. Recorded By Cory Nutile. Songwriter – Hassan Spruill (track 07).
YOUNG JIMMY - ROCKETT 88
YOUNG JIMMY Debut Studio Album May 7, 2021. Credits: bass Guitar – Augustos Mintz (tracks: 4, 6, 9, 13, 14), Dylan Kaminkow (tracks: 7, 8, 11, 12, 16). Composed By – Kurt Cobain (tracks: 14) Lyrics By – Darren Maxwell (tracks: 7) Percussion – Alexander Azarmehr (tracks: 7, 8, 11, 12, 16), Roberto Verde (tracks: 4, 6, 9, 13, 14). Photography by Anna Sugarman, Recorded by Cory Nutile, Mixed by RJ Pasin (tracks: All Tracks). Songwriter – Sankofa (tracks: 7). Songwriter, Composed By, Electric Guitar, Executive Producer, Lead Vocals, Lead Guitar, Keyboards – Young Jimmy (tracks: 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13, 15, 16)
YOUNG JIMMY - Yellow Yellow
Songwriter YOUNG JIMMY'S first solo studio EP was recorded in Williamsburg, Brooklyn, in May 2015, by Engineer Jay Braun at Melody Lanes. Mastered by Mike Tucci. Re-released under HOOD ROCK RECORDS on December 18, 2020.
Credits: Bass Guitar – Max Calkin. Drums – Dylan Teggart. Keyboards – Tom Wilson. (The Movies) Co-lyricsist – Melle Mel, Harmonica - Obama Isaiah Richardson. Christopher J. Beckwith - Singer, writer/ composer, guitarist, vocalist, album cover art executive producer.
YOUNG JIMMY™
YOUNG JIMMY is a New York City–bred creative force whose artistry defies easy labels. An American guitarist, singer-songwriter, rapper, producer, and recording artist, he represents a new generation of multi-hyphenate talent—equally at home behind the mic, the guitar, or the control board. Beyond music, he is also a record executive, video editor, graphic designer, and entrepreneur, shaping every layer of his vision with hands-on precision and independent grit.
At the core of YOUNG JIMMY’s sound is what he calls “Hood-Rock”—a raw, boundary-pushing subgenre he defines as rock music from the hood. Rooted in alternative rock, his music pulls influence from rap-rock, alt-rock, indie rock, jazz fusion, and pop rock, blending aggressive energy with melodic depth and street-level storytelling. The result is a sound that feels both rebellious and reflective, bridging cultures, genres, and lived experience without compromise.
His debut studio album, Rockett 88 (Deluxe), showcases the full scope of YOUNG JIMMY’s creative identity—bold, genre-fluid, and unapologetically original. The project cements his place as an artist unafraid to rewrite the rules, merging rock’s edge with hip-hop’s attitude and DIY innovation. Rockett 88 (Deluxe) is available now on all streaming platforms, marking a defining chapter in the rise of an artist determined to leave his own imprint on modern music.
LIZA
If you’re meeting LIZA for the first time, her new single “Gone September” is the perfect doorway. The song unfolds like the moment summer slips into memory—quietly devastating, intimate, and emotionally precise. LIZA doesn’t chase drama; she lets feeling do the heavy lifting. With understated production and a vocal delivery that feels more confessed than performed, “Gone September” captures the ache of time passing and love shifting without warning. It’s the kind of song that lingers long after it ends, leaving new listeners asking, Who is this—and what else has she been holding back?
LIZA is a HOOD ROCK RECORDS exclusive artist signee from Dolton, Illinois, on Chicago’s South Side. The daughter of a Greek immigrant, she brings a global sensibility to a sound rooted in soul. Known for her sweet, soulful tone and contemporary versatility, her voice feels like it belongs to a past generation while her writing and phrasing live firmly in the now.
Her résumé quietly speaks volumes. LIZA has worked with and toured alongside legendary and forward-thinking artists alike, including Hip-Hop icon Ski Beatz, Nitty Scott MC, Grammy-nominated jazz alto saxophonist Lakecia Benjamin (including her 2016 European tour), Hypnotic Brass Ensemble at The Blue Note and Knitting Factory in NYC, and Nickel and Dime OPS in Athens, Greece as part of the NOSTOS Festival at the Stavros Niarchos Foundation Cultural Center. She’s also performed with The Sensei’s, known from Sway in the Morning—a testament to her ability to move seamlessly between hip-hop, jazz, soul, and live ensemble work.
Beyond the microphone, LIZA is a credited lyricist, with notable writing contributions on “We Drip” and “Earthquake” for R&B artist Jessica Betts. Those works have landed placements on the TV series Claws and were performed live by Betts on The Kelly Clarkson Show, further cementing LIZA’s pen as one to watch.
Her debut studio album, executive produced by YOUNG JIMMY, is set for release in 2026. Until then, “Gone September” offers a compelling first chapter—an introduction that feels honest, timeless, and deeply human. Stay tuned. This is LIZA.
Melle Mel
Melle Mel is a hip-hop pioneer who achieved fame as the lead rapper for Grandmaster Flash and the Furious Five. He is credited with transforming hip-hop from a DJ-focused art form to one centered on the MC, influencing the genre with his lyricism, social commentary on tracks like "The Message," and iconic hits such as "White Lines."
He was the first rapper to win a Grammy for a rap performance on Chaka Khan's "I Feel for You." He was also part of the first hip-hop group inducted into the Rock and Roll Hall of Fame, and has won multiple Grammys for his work on Quincy Jones albums. Also, he has collaborated with Cher and Duran Duran.
Melle Mel co-wrote lyrics on YOUNG JIMMY's song 'The Movies' off his debut EP 'Yellow Yellow', as well as being featured on an alternate version of the same song.
SANKOFA
Before YOUNG JIMMY emerged as a solo artist and producer, his earliest recorded work lived inside a five-piece indie-rock band called Sankofa. Formed in 2006, Sankofa would go on to become the house band for the now-legendary House of Yes during the height of New York City’s 2010s indie-rock surge—standing at the center of a scene that was loud, experimental, and rapidly reshaping itself.
At just 20 years old, YOUNG JIMMY served as the band’s lead guitarist and co-composer during the recording of their 2007 EP, To My Chagrin. The record captures a band operating with urgency and intent—raw but deliberate, restless yet emotionally grounded. Nervy guitars collide with driving rhythms, while the songs wrestle with frustration, self-reflection, and identity without ever overexplaining themselves. It’s indie rock that trusts its listener.
Sankofa’s presence was singular. In an era where the indie-rock landscape was overwhelmingly homogeneous, they were quite possibly the only all-Black indie-rock band of that moment, occupying the genre fully and unapologetically. Their music didn’t ask for permission or carve novelty from difference—it simply existed, loudly and honestly, in a space that rarely made room for them.
The band’s name was no accident. Sankofa is a word and guiding philosophy from Ghana’s Akan people, meaning “to go back and fetch it” or “reach back to propel forward.” Symbolized by a mythical bird with its head turned backward, an egg in its mouth, and feet facing forward, the concept emphasizes learning from the past to strengthen the present and future. That philosophy is embedded in To My Chagrin—a record that feels aware of what came before it, even as it pushes forward with urgency and conviction.
Sankofa’s original lineup consisted of Hassan Spruill (rhythm guitar), Darren Benjamin Maxwell (vocals), YOUNG JIMMY (lead guitar), J.C. (drums), and Reginald Duvivier (bass). Together, they created a body of work that now feels like a missing artifact—one that sounds just as alive, relevant, and necessary today.
For new listeners, To My Chagrin isn’t just an EP—it’s a document of a moment, a philosophy, and the early creative spark of an artist still shaping the future by understanding the past.
Kendra Foster
Kendra Foster is a 2X Grammy-winning singer-songwriter from Tallahassee, Florida. She has recorded with artists including George Clinton, Bootsy Collins, Snoop Dogg, and Jay-Z. She wrote 8 out of the 12 songs on D'Angelo's last studio album, 'Black Messiah', also a member of his band The Vanguard, and a member of Parliament-Funkadelic.
Her captivating vocals are featured on "No Racist" off YOUNG JIMMY's 2023 debut studio album "Rockett 88 (deluxe)".
Kam Franklin
Kam Franklin is a one-time Grammy Award winner, known as the lead singer of the Houston Soul group, The Suffers. She began her career as a backing vocalist and dancer, has performed on Austin City Limits, toured with Jim James, recorded with Jackie Venson, Scarface, Khruangbin, and Deer Tick.
Her powerful, dulcet vocals are featured on YOUNG JIMMY's new single "HEAVY," available now on all streaming services. An extended version is coming soon to CD & Vinyl record.
Featured Merch collection
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HOOD ROCK RECORDS Unisex organic oversized high neck t-shirt
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Sankofa - To My Chagrin (feat. YOUNG JIMMY) (YouTube Music)
LIZA - Gone September (feat. YOUNG JIMMY) (YouTube Music)
YOUNG JIMMY - No Racist (feat. Kendra Foster) (YouTube Music)
YOUNG JIMMY - HEAVY. (feat. Kam Franklin) (YouTube Music)
YOUNG JIMMY - Come as You Are (Official Music Video)
YOUNG JIMMY - Sweet Maria (Official Music Video)
YOUNG JIMMY - Pull Up to the Party (Official Music Video)
YOUNG JIMMY - "Summer Days" (Official Music Video)
YOUNG JIMMY - Date Night (Official Music Video)
YOUNG JIMMY - The Movies (Official Music Video)
HOOD ROCK RECORDS Roster
YOUNG JIMMY
LIZA
SANKOFA
About HOOD ROCK RECORDS
Founded in November 2020 by Christopher Beckwith, HOOD ROCK RECORDS is a New York City–based independent record label built on conviction, culture, and uncompromising rock ’n’ roll. What began with our inaugural releases by YOUNG JIMMY has grown into a platform dedicated to restoring visibility, dignity, and creative freedom to Black American rock music—and to the artists the industry too often overlooks.
HOOD ROCK RECORDS exists for the outcasts. The hood alternatives. The rockers who never fit neatly into marketable boxes. We champion artists who move against the grain, creating music that is raw, honest, and rooted in lived experience. Our mission is simple but radical: to uplift Black rock artists while exalting music industry outsiders of all kinds, without dilution or compromise.
The label’s origins are inseparable from the journey of YOUNG JIMMY, whose career traces the fault lines of modern alternative music culture. Emerging from New York City’s underground, YOUNG JIMMY cut his teeth backing rappers and indie rock bands before becoming part of the early Afro-Punk scene in the late 2000s—an era sparked by the Afro-Punk documentary and fueled by a generation of Black artists reclaiming rock music on their own terms. As Afro-Punk evolved into a global brand in the 2010s, internal conflicts and corporate influence shifted its focus away from punk ethos and Black rock authenticity. The resulting disillusionment marked a turning point.
As James Spooner, founder of Afro-Punk, later reflected, the movement’s organic, community-driven spirit was overtaken by commercial interests—leaving the very Afro-Punks who built it without meaningful support. When YOUNG JIMMY realized the scene that once nurtured him no longer existed, he chose independence over erasure, forging his own path as a solo rock artist in an industry that often shamed or sidelined Black musicians for making rock music at all.
HOOD ROCK RECORDS was born from that refusal to disappear.
More than a label, HOOD ROCK RECORDS is a cultural output and a way of life. We are committed to uplifting, promoting, marketing, recognizing, and releasing high-fidelity records for a community that knows rock music’s true roots. In an industry still dominated by white gatekeepers—often disconnected from the genre’s origins in Black American culture during the 1950s segregation era—we stand for authenticity, historical truth, and creative ownership.
As we look ahead, HOOD ROCK RECORDS is proud to expand its roster with new releases in 2025 from LIZA, a powerful singer-songwriter, and Sankofa, an indie-rock band carrying the torch forward. Together, we are building something enduring: an inclusive, independent empire grounded in real rock music, made in America, for the people who live it.
HOOD ROCK RECORDS
P.O. Box 211148
Brooklyn, NY 11221
General Inquiries: info@hoodrockrecord.com